Nein. Das ist Fantastic-Takes-Form in Different Visions. Summer Express
do language others in Images. Es gibt die Fantastik,
und es ist original definition, ist die make visible.
Das Real ist interessiert, all diese Konsumenten der Imagination, die visible sind.
Es ist facto die Beginnung der movement in der early 20er-Century.
Das ist ein realer Standing von der Imagination-Hobber. After second world war,
which maybe capterized by move a way from the previous engagement
with segment freud and psychoanalysis, tours a new part,
consurning magic and the fantastic.
I would like the present
German Orrison Rider Unicorn
Is evolution, to this goes how are fantastic stories and leader dryings,
merch to the literary fantastic, which is the realism Argination
into in my follow the days in of ladness.
On the 21. September 1922, members of the early surrealists group,
you did to discover, a magic dictation,
be son a spiritual is initiation.
Mediating the enchanted world of the mind,
took different forms and speech tax than image.
In the short artogor, article, the mediums enter,
published in the same year.
Andre Berton, that signatle this process as psychical automatism,
that course forms directly to the Dreamsdate and don't conscious
Well, the social ating the spiritualistic spot us,
beertifulestic beliefs of mediens from their interest.
But tone this grives, the automatic experience as quote,
and active listening. And act that follows that year,
to be penetrated, but the mama of our own and conscious.
On quote. The early's experiments of this their realists,
with a tommatism. Are conseed from the fantastic? Well,
it's conciling the magical aspects of that term,
with the purpose attitally scientivic diagnosies of psycho and alsis.
Unicosaring, loose most more nown is the long
time partner of points filmer.
Was introduced this are realism in the 1950s
Priorityer experimentation, automatisch rating and drawling. Sorry was a
publish writer in Germany in Switzerland. By 1949,
as your net published over 100 30 pros für den Preis.
And 8tels broadcaster on national radio stations. These early tax are
wildly influence, by the strange worlds of the 1993 consmarket.
Where the visuality of language is out it's peak.
Unicorse earns development of the slinguage in a layerworks,
after having incountry to realism.
Transforms, the traditional fairitel into a webble enchantment.
Shortly after a moving to taris and
Song was in turn in Psychiatric cospitals, for most of our artistic career.
References to a mental illness, can be trace to rather work?
Especially in the titles of our books and the subjects of a dryings.
The Amalgone of Surins Illness and Imagination and her
righting and droyings bring like to the development about tomatism,
where the early mith of the strategy is performed,
through it's leader, psychic
and psychoanal lot of connotations. The radio tills of Unicorn Surin,
we're broadcasted from 1950, 1950, 1950 4,
by reass,
which was a radio edition of the rootshows,
the radio station of Berlin
The American Sector, as part of the Reducation-Programm.
Only for the a original scripts romain in the Reass Archive.
And because of the short is a materials at the time,
all was all tapes were reused and non-of-surns recordings are main.
Most of a publish newspaper-Stories and all the radio tills harbor,
have been reprentive in the it volume collection of works, by Aircrinkman.
In this introduction for the radio tills bringt the notes
that surrents work for the radio and her public stories,
active a matter for for her feelings about life,
which in my opinion can be traced in or
automatic workly into the 1960s
In der Biographic Nowburg war Constant Marson Blanche,
Journey Rights of a Struggles in the Third Person quote.
Es war in Berlin, dass der Time, she was dying of hungar?
She beyond painting for the first time, well working frontically
on or stories that do newsleeper bot for almost nothing.
It was doing this period that the swinder tear, meaning the morvels animal.
Are don't a said a day after new on my 2030,
1950, 30? This light hearted radio tell,
is in the form of the dialog,
between characters, with intermediate narrations,
reflecting on the story as a happens
The story is a company by song versus and the matic background music,
which transform that must very exciting. The wonders all the models animal,
markst du startup searings events in about time it ism,
through the media more the redeal. The media maradio,
broadcasting, in the tourize is the realize automatism,
as listenings down conscious more more,
as this guy by proton, well retaining the magic,
magical qualities all the children of tell.
The story begins with the princess, walking through a park,
who which is for something maracle is and wonderful that.
A point her wish,
she's sort of me turns and to a small horse,
would pointed ears that reminds
one of a don't be
The Princess Expressors are great joyed when realizing your transformation and the scribes are self as a beautiful animal.
When of the early as pintings of surin, which they's back 1950,
piddle in chanted princess, is a direct illustration for this particular tell.
Now, returning to, betons assay,
the medium who was the spiritual receiver of message is from down conscious in Beyond,
become in surin's work, a play on the world medium,
as an artistic eagersy of telling stories, well,
the plurality, well, the plurality of the world's meanings,
entered wine.
Mediums as a muse of communication,
also become a middle state,
the two in the real world and the fantastic world's
a fairy tells
This down coaches, is not only the mediator of the Human Psychi,
but the magical condoctor of the Fantastic Stories, of Fantastic Stories and Images.
Unicorsurans real tell, opens are door to a fantastic imagination,
where the one conscious, is the site of transformation with
end this variations of New Objects and Subjects.
The story sumrise as a possible the stake of a wizard,
who may of turn the princess into a donky in it vertanly,
by chance.
The end this is one my stakes and chance is a persistant
quality of seriens work,
which can be seen 100 first publication of poms and
drys and
Small both with a 10 dryings and tine anigrams nehmen, haggs in tax.
Was publish by the root of springer gallery in Berlin.
And it's after word for serence first publication as an indiputual orthis.
House down a rights. The result egnologies in this flat,
we on canny manner, that it also much more that
that all was more to the help of some other,
then to once own consciousness.
The science of the alien responsibility and of once on technical limitations,
leads to was a high in flair and unmy streamed and
fever is readiness for discoveries,
resulting in a kind of automatism.
Challenge seems to play a major role in the versul
Some time spectacularly. A pleasent me this respectful speare.
Who are serious only about thing the presers of Air and
of Chance as as as Air was a way and Chance approve a ternity.
The process of enegratic poetry,
come be compared to the normen parts of the 19 century consmarking,
where limits are is an chance government results.
Fred frick my now, in deutschen wells,
fictors vogeld for example, provide in my foreign space,
where the three sisters are are confined into a particularly
look by haddison meister, which is a sourcer.
Serence collection of unagrams, in prices season
revolution to the magic and whichary of the story
Even no hexentax is transleader and to english as the which is tax.
The world peggs and actually means that actively you work magic.
The role of the sourcer, therefore takes a different formancer ins problems,
where the tax that self is with actively works, the magic.
The supreme actually elements of the fairy tell are encorporated into
old serence writing, as point to love, I merite
power davis, in our discussion of the house of elnisses.
Ritten in 1950. The house of elnisses is a
short text by Sir in the Form of a Diary.
Narrieding with a company, a company illustrations.
I'm sterious house where fantastic events to place
The house clearly carries, the to pography of a female body.
Which davy suggest, is a manual representing the body,
identified by freud in the interpretation of dreams,
as a depecal dream magic.
Well, Davis, very successfully discusses, joins,
literally references that the German consmarking in detail, particularly to bluebert.
Here, I will like the focus on,
it's more magical aspects. Serence some effective nervative,
is celt aware with psychoanality conditions.
And she conspectue isly expresses a state of Illness
Well, sorry, some effective by our nervative,
is self-aware with Psychon out of conditions. She consciously expresses
the sate of illness as a magical visionary and pleasurable experience.
Createling between the fantastic role of our illness and the
realities of the institution as well is the outside world.
The text mentally in medifortably. Players on the emergine of
mergine of mergine and modness. The house of illness is
a users of mordor of the kunstpark in the systematic ortistic process.
Where all of the fantastic elements of the plot,
slowly breaks down,
spirals and deconstructed self
Surns years of deformation in transformation of objects,
me also be considered in light of the righting them george of a time.
Don't tell me this miss often defined in Brettons terms.
The alternative views of betimed times like closer to the practice of Surn.
Who is who was a fairly eyesh later figure,
even excellent figure and so realism, even after meeting,
Bretton in 1950 4. But types to mat some rises it's a posing view tabletonian not town into them.
And it's 19, 46 article on the subjective slumberns.
And I could, what Bretton talk was last to be
come aware of the Value of a thomas ism.
Then to right ander detectation of down conscious
I'm cold. Partei points to the destinction, between the value vatomitism.
And betons signification of the on conscious, that overshout out this value.
But leading us to compuse the thing and song with the
expression is given by the paining of poetry.
Inserts a longer, but are no nervative, the man of jazzmin.
She right to the songs that the protagonist things, quote.
The tax rimes effortlessly to form simple entscheide like versus,
which he makes up on the surve the moment and that once forgets.
As yearing songs, effortlessly composion, a temporary moment
of creativity
Here drying the like are as fleeting as a lines that transposent to matt
more more phing creatures. But high speaks of his own experience with drying,
which he states always a matter of the transformation of Objects.
This process is a video one as a vertired one point suggest,
that it's the composition, this is a code, sorry.
The composition and the composition and distruction, was almost as pinful
as the side of a deecomposition in distruction of it deeper.
But that also makes the point to clarify that his opinions
don't know low for sufficient role for psychological factors,
that's the social addings as as to elements
The visuality exerence anagrams and nerd this, clearly recalls,
such a corporate association,
specially permanent in boundaries,
after word for the hexentax-andergrams,
where the he converser the composition of accentins to the composition of the body and in the house of illnesses,
where the topography of the female body is violently fractured.
The alumin of the fantastic as practice vious earn,
can be absurd undersly. The representation of an objector of that,
whether it's an emaginary account me visible or a
biographical instance depicted
Is intellectually represented, well, undergrowing the process of transformation.
Inserts visual work, we find the mechanism of deformation,
as a prominent element, over automatic production.
The patient file from my first intermine in 1916 knows.
Quote. She began to pain in a sour realistic way.
She often proper paper, people preprinted with musical notes.
So effectively optained underly are of tone on quo.
One of turns many graphic notebooks, titled,
album free, was begonnen 1962, drying hurn comment,
at I'm saying on in Paris.
The notebook, which was given to durn
to drown
by baumer
Die Reproduktion der German-Komposer, Robert Shumans Musical-Skills. Robert Shuman
war menschlich eine Mental-Institution in den letzten Jahren von live.
Und Bellmer, die collaborated in der Artistik-Personalifikation des German,
die toundamentale und stabile Kreativität haben. Meine Tools sind in
diesem Partikel der German-Komposer für diese Reason. Die Sami-Lother-Bound-Book,
die Represents der Transformation der Objekte in den Medien, die kaum besehen,
und die juckt die Position von Collagens und Dryings made by Hand.
In Album-Three, wir find die Series von Animals und Other-Inchanged-Kreaturen,
transformieren over and within the musical scores,
which now express the early our auditory
elements over rediotiles
And hurt leader nervative, with a visual presentation that are weakens in demagine auditory counterpart.
The jucks to position of collosions and hand meet in drying,
similar to or anemer andegrammatic poms, combined a element,
elements of limited in chance,
to reuse and repeat figures in demanda of transformation.
The impressions of the found object, conduct the pan in a migriciplication,
well the bloods of red engst, stand the peages like blight.
These bleeding images for so eine hidding story,
frame by the marks of the artistic everts of a tomtism.
In these peages again, the reality,
the called walls of the institution
Die Flat-Sheets, also die Karte animals, möglich mit den Pluriten,
also der Fantastik-Magination. In einer dieser First-Kontributionen divertised Journal-Documents in 1930,
Robert Desnos, die auch so engagiert in der Literatur,
die Fantastik, die identifizierte Kollage, also eine technische,
which push is the spectical of reality, into,
what the time work call, are wild ulteration that deforms and different continuely,
soly are recreated subject.
Yes, nose discussions max ernst,
I had the 100 had less women color-series,
as representation of earns recearch becoming for him,
the grand the piction of his earth
He rights. Quote. That can be notalus nations for the point.
There's only the real. And the inventor of collegious invites
has to the respectical of a reality that has been push brother,
then we know every ignoledge on quote.
In the collegious, the fantastic landscapes of events full of
hard are express with the light is supports.
Serence use of collegious, performance not only the high instrutively
was emergination of arts. But opens of fantastic to all
the sensors in a frenzy. Which are ability to creately
between and and in same creativity and a same producer
Journey was able to transform them rummer of the own conscious
into a dialogood the fantastic. This aware of the Value,
but homesism, she use that in our works and
tillt and the work come year.
Sure into protons definition of our thomasism,
as a not the listening thrown conscious further,
by transposing between, the visual and auditory magination.
And the works of unique zerren as we have a surf.
Automatism becomes invisible narriader and cyboral teniously,
the invisible medium, creating of attentional for an infinite variability
of transitional
The continuous recurs of mental earness can reflexed the fear
in Simultaneous Fass Nation of the Steel Realists with notness.
But alone here madunation and alone to freely becoming enchanted,
provesurns penetration of the earliers of the early surrealists boundaries.
Developing on this are realists tool about time it ism.
Serence work goes through and beyond the miss of metness,
well rendering, the phantastic devisible.
In speech text text and image.
Thank you